Kufic Script: The Incarnation of the Word How, then, can we “watch and receive,” and truly comprehend the meaning of Kufi calligraphy? First of all, in pre-Islamic Arab societies, writing was a limited skill, primarily practiced within narrow circles. It was used mainly for commercial contracts, epitaphs, and occasionally for recording poetry. With the revelation of the Qur’an, however, writing underwent a […]
Kufic Script: The Incarnation of the Word How, then, can we “watch and receive,” and truly comprehend the meaning of Kufi calligraphy? First of all, in pre-Islamic Arab societies, writing was a limited skill, primarily practiced within narrow circles. It was used mainly for commercial contracts, epitaphs, and occasionally for recording poetry. With the revelation of the Qur’an, however, writing underwent a
Chapter II Kufi Calligraphy On Historical Origins of Arabic Script and Historical Development of Kufi Calligraphy When I first decided to write about my philosophy of history and my Kufi calligraphy and Kufic scripture in general, I thought this was a new opportunity to convey all my ideas more clearly within the illuminating light of Kufic script. So, in
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1. Old Testament, Genesis 25:12–18 Toledot of Ishmael (genealogy) 2, Ishmael – Wikipedia 3.F. Bacon, Essays, On the Studies. 4. Old Testament, Ecclesiastes II-8 5. Irvin Cemil Schick, Türk Matbuatında Hüsn-i Hat Literatürüne Toplu bir Bakış TALİD, 7(14), 6. History of the Arabic alphabet – Wikipedia 7 . www.pathsofjordan.net/ The Nabataean script: a bridge between the Aramaic and the Arabic alphabets 8. https://www.islamic-awareness.org/
Bismillahirrahmanirrahim,Aydın Bolak için yazılan şekli 1973 “My friend Prof. Dr. Yumuşhan Günay mentioned to me once that this kûfî besmele design was closely resembling “Alhambra Architecture”: & then, I have found & checked this photo & believed it to be true.”Bu besmeleyi Aydın Bolak’ın siparişi üzerine, 1973 te yazmıştım. Ancak sonraki bir tarihte besmeleye, Hüve allah, muhammmed, ebubekir, omer, osman
Beşir Ayvazoğlu ile sivas’a haber gönderilmek suretiyle Mustafa Uzun tarafından sipariş edildiği için yazılan allah muhammed ebubekir ömer osman ali kompozisyonu. kitap kapağı deseni, 1973 allah, muhammed, ebubekir, ömer, osman, ali,1973. ayni istif ile kendi kitabımda.
nokta-i suğrâ: sufilerin temâşâ nesnesi Şahin Uçar’ın, Süheyl Ünver Hocadan ders aldığı yıllarda, tıp tarihi enstitüsü atölyesinde kendi kompozisyonu olarak yaptığı ilk deseni budur. Sene 1970. Dergah Yayınevinin Türk Edebiyatı Ansiklopedisindeki “nokta-i suğrâ” maddesinde de bu desenin siyah-beyaz bir fotoğrafı vardır. Peyâmi Safâ’nın “Sanat, Edebiyat, Tenkit” kitabının kapak deseni olarak da basılmıştır, 1970
Chapter II On Historical Origins of Arabic Script and Historical Development of Kufi Calligraphy When I first decided to write about my philosophy of history and my Kufi calligraphy and Kufic scripture in general, I thought this was a new opportunity to convey all my ideas more clearly within the illuminating light of Kufic script. So, in the
kufi calligraphy from the perspective of my philosophy of history By Şahin Uçar / May 10, 2025 Preface I am going to articulate my ideas about Kufi scripture because I wish to present my Kufi calligraphy compositions collectively; so that they may be preserved and registered in a book format. Being a history professor—my doctoral dissertation was on “Arab Invasions to Anatolia (640-750