Bibliography for kufi

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Bibliography for kufi

And Muhammad Is His Messenger a schimmel

  • Catalogue des manuscrits arabes, fascicules 1 et 2, Bibliothèque nationale (France), département des manuscrits, Bibliothèque nationale.
  • 1989 – Manuscrits Moyen-Orient Essais de Codicologie et Paléographie, actes du colloque d’Istanbul, 26-29 mai 1986, Institut français d’études anatoliennes : Bibliothèque nationale.
  • Déroche, François (1992). The Abbasid Tradition: Qur ̓ans of the 8th to 10th Centuries. Nasser D. Khalili Collection of Islamic Art. London. ISBN 0197276008.
  • Les manuscrits du Coran en caractères higâzî: Position du problème et éléments préliminaires pour une enquête. Lesa. 1996.
  • Scribes et manuscrits du Moyen-Orient, Bibliothèque nationale de France. 1997.
  • Manuel de codicologie des manuscrits en écriture arabe. Bibliothèque nationale de France. 2000.
    • Waley, Muhammad Isa, ed. (2006). Islamic Codicology: An Introduction to the Study of Manuscripts in Arabic Script. Translated by Dusinberre, Deke; Radzinowicz, David. London: Al-Furqan Islamic Heritage Foundation.
  • Le Livre manuscrit arabe: Préludes à une histoire. Paris. 2004.
  • Le Coran. Que sais-je?. PUF. 2005.
  • La transmission écrite du Coran dans les débuts de l’islam, le Codex Parisino-Petropolitaminus. Leiden-Boston: Brill. 2009. ISBN 9789004172722.
  • Qur’ans of the Umayyads: A First Overview. Brill. 2014. ISBN 978-90-04-26185-3.
  • La voix et le calame. Collège de France. Fayard. 2016.
  • Le Coran, une histoire plurielle Essai sur la formation du texte coranique. Éditions du Seuil. 2019.
  • The Quran of Historians
  1.  Déroche, François. Catalogue des manuscrits arabes. Deuxième partie: manuscrits musulmans, Tome I, 1. Les manuscrits du Coran. Aux origines de la calligraphie coranique (Paris: Bibliothèque Nationale, 1983), pp. 41–45.
  2.  D’Ottone Rambach, Arianna (January 2017). “The Blue Koran. A Contribution to the Debate on its Possible Origin and Date”. Journal of Islamic Manuscripts. 8 (2). Leiden: Brill Publishers: 127–143. doi:10.1163/1878464X-00801004. S2CID 192957200.
  3.  “Kūfic script | calligraphy | Britannica”. www.britannica.com. Retrieved 2022-04-21.
  4.  “The Development and Spread of Calligraphic Scripts”. Metmuseum.org. New York: Metropolitan Museum of Art. 2020. Retrieved 20 August 2020.
  5.  Blair, Sheila S. (2006). Islamic Calligraphy. p. 104. ISBN 978-0-7486-1212-3.
  6.  Al-Amin, Salwa Ibraheem Tawfeeq (2016). “The Origin of the Kufic Script”. Magazine of Historical Studies and Archaeology (53): 3, 6. Archived from the original on 2023-04-21. Retrieved 2019-12-09.
  7.  George, Alain (2010). The Rise of Islamic Calligraphy. pp. 55, 56, 57, 65, 72. ISBN 978-0-86356-673-8.
  8.  Jazayeri, S. M. V. Mousavi; Michelli, Perette E.; Abulhab, Saad D. (2017). A Handbook of Early Arabic Kufic Script: Reading, Writing, Calligraphy, Typography, Monograms. New York: Blautopf Publishing. p. 8. ISBN 9780998172743.
  9.  Wilson, Eva (1988). Islamic Designs for Artists and Craftspeople. New York: Dover Publications. pp. 11. ISBN 048625819X.
  10.  “Arabic scripts”. British Museum. Retrieved 13 March 2013.
  11.  “The Spirit of Islam: Experiencing Islam through Calligraphy”. UBC Museum of Anthropology. Archived from the original on 8 November 2002. Retrieved 13 March 2013.
  12.  Jazayeri, S. M. V. Mousavi; Ringgenberg, Patrick; Michelli, Perette E.; Chaharmahali, Ali M.; Jazayeri, S. M. H. Mousavi (2015). Kufic Inscriptions of the Historic Grand Mosque of Shoushtar. New York: Blautopf Publishing. p. 120. ISBN 9781511537995.
  13.  Tan, Enis Timuçin (1999). “A Study of Kufic Script in Islamic Calligraphy and Its relevance to Turkish Graphic Art Using Latin Fonts in the late twentieth century”: 42. {{cite journal}}: Cite journal requires |journal= (help)
  14.  Cohen, Julia (May 2014). “Early Qur’ans (8th–Early 13th Century)”. www.metmuseum.org. Retrieved 2019-11-04.
  15.  Al-Amin, Salwa Ibraheem Tawfeeq (2016). “The Origin of the Kufic Script”. Magazine of Historical Studies and Archaeology (53): 3, 6. Archived from the original on 2023-04-21. Retrieved 2019-12-09.
  16.  Fraser, Marcus (2006). Ink and Gold Islamic Calligraphy. London. pp. 28, 46. ISBN 0954901487.
  17.  George, Alain (2010). The Rise of Islamic Calligraphy. pp. 55, 56, 57, 65, 72. ISBN 978-0-86356-673-8.
  18.  Rosen, Miriam (1983). “Islamic Calligraphy. By Yasin Hamid Safadi. Boulder: Shambhala, 1979. 142 pp.; 163 black and white plates. $8.95 paper. – Calligraphy in the Arts of the Muslim World. Austin: University of Texas Press, 1979. 216 pp.; 12 color plates, 98 black and white. $25.00 cloth”. Iranian Studies. 16 (1–2): 85–90. doi:10.1017/s0021086200006484. ISSN 0021-0862.
  19.  “The Arabic & Islamic Inscriptions: Examples Of Arabic Epigraphy”. www.islamic-awareness.org. Retrieved 2021-02-08.
  20.  George, Alain (2010). The Rise of Islamic Calligraphy. pp. 55, 56, 57, 65, 72. ISBN 978-0-86356-673-8.
  21.  Ekhtiar, Maryam (July 2015). “Tiraz: Inscribed Textiles from the Early Islamic Period”. www.metmuseum.org. Retrieved 2019-11-04.
  22.  George, Alain (2010). The Rise of Islamic Calligraphy. pp. 55, 56, 57, 65, 72. ISBN 978-0-86356-673-8.
  23.  Jonathan M. Bloom; Sheila Blair (2009). The Grove encyclopedia of Islamic art and architecture. Oxford University Press. pp. 101, 131, 246. ISBN 978-0-19-530991-1. Retrieved 4 January 2012.
  24.  Mack, p.51
  25.  Sakkal, Mamoun. (2004). Principles of Square Kufic Calligraphy. Hroof Arabiyya. 4. 4-12.
  26.  “Creative Arabic Calligraphy: Square Kufic”. Design & Illustration Envato Tuts+. Retrieved 2020-05-21.
  27.  Ibrahim Gomaa (1969). Studying the Development of Kufic Writings on Stones in Egypt in the First Five Hijri Centuries: A Comparison in Different Places of the Muslim World. Dar al-Fikr al-Araby.
  28.  “Islamic art from museums around the world”. Arab News. 2020-05-18. Retrieved 2020-05-18.
  29.  “Google Fonts: Noto Kufi Arabic”. Google Fonts. Retrieved 2022-08-30.
  30.  “Google Fonts: Reem Kufi”. Google Fonts. Retrieved 2022-08-30.
  31.  “Google Fonts: Qahiri”. Google Fonts. Retrieved 2022-08-30.
  32.  “Google Fonts: Cairo”. Google Fonts. Retrieved 2022-08-30.
  33.  “Google Fonts: Almarai”. Google Fonts. Retrieved 2022-08-30.
  34.  “Google Fonts: Mada”. Google Fonts. Retrieved 2022-08-30.
  35.  “Google Fonts: Kufam”. Google Fonts. Retrieved 2022-08-30.
  36.  “Windows 10 font list”. Microsoft Docs – Typography. Microsoft. Retrieved 30 March 2021.
  37.  “Fonts included with macOS Monterey”. Apple Support. 14 June 2022. Retrieved 2022-08-30.

General references

  • Kosack, Wolfgang: Islamische Schriftkunst des Kufischen. Geometrisches Kufi in 593 Schriftbeispielen. Deutsch – Kufi – Arabisch. Christoph Brunner, Basel 2014, ISBN 978-3-906206-10-3.
  • Mack, Rosamond E. Bazaar to Piazza: Islamic Trade and Italian Art, 1300–1600, University of California Press, 2001, ISBN 0-520-22131-1
Wikimedia Commons has media related to Kufic style.

Blair, S. (2006). Islamic Calligraphy. Edinburgh: Edinburgh University Press.
Bloom, Jonathan M. (2015). The Blue Koran revisited. Journal of Islamic Manuscripts
6, 2–3, 196–218.
Déroche, F. (1983). Collections de manuscrits anciens du Coran à Istanbul. Rapport
préliminaire. In J. Sourdel‐Thomine (ed.), Etudes médiévales et patrimoine turc. Paris:
Cultures et civilisations médiévales, pp. 145–165.
Déroche, F. (1990–1991). The Qurʾān of Amāğūr. Manuscripts of the Middle East, 5,
59–66.
128 ◼ ◼ ◼
Alain George
Déroche, F. (1992). The Abbasid Tradition: Qurʾāns of the 8th to 10th Centuries A.D.
The Nasser D. Khalili Collection of Islamic Art. London: The Nour Foundation.
Déroche, F. (2002). New evidence about Umayyad book hands. In Essays in Honour of
Salāh al‐Dı̄n al‐Munajjid. London: Al‐Furqān Islamic Heritage Foundation, pp. 611–642.
Déroche, F. (2004a). Colonnes, vases et rinceaux sur quelques enluminures d’époque
Omeyyade. Comptes Rendus des Séances de l’Académie des Inscriptions et Belles Lettres,
2004, 227–264.
Déroche, F. (2004b). Le livre manuscrit arabe: Préludes à une histoire. Paris: Bibliothèque
Nationale de France.
Déroche, F. (2009). La transmission écrite du Coran dans les débuts de l’Islam: Le Codex
Parisino‐petropolitanus. Leiden: Brill.
Déroche, F. (2014). Qurʾans of the Umayyads: A First Overview. Leiden: Brill.
Dutton, Y. (1999). Red dots, green dots, yellow dots and blue: Some reflections on the
vocalisation of early Qurʾanic manuscripts. Part I. Journal of Qurʾanic Studies 1, 1,
115–140.
Dutton, Y. (2000). Red dots, green dots, yellow dots and blue: Some reflections on the
vocalisation of early Qurʾanic manuscripts. Part II.” Journal of Qurʾanic Studies 2, 1,
1–24.
Flusin, B. (1992). L’esplanade du Temple à l’arrivée des Arabes, d’après deux récits byz
antins. In J. Raby and J. Johns (eds), Bayt Al‐Maqdis: ʿAbd al‐Malik’s Jerusalem. Oxford:
Oxford University Press, pp. 17–31.
George, A. (2003). The geometry of the Qurʾān of Amājūr: A preliminary study of pro
portion in early Islamic calligraphy. Muqarnas, XX, 1–15.
George, A. (2007). The geometry of early Qurʾanic manuscripts. Journal of Qurʾanic
Studies, 9(1), 78–110.
George, A. (2009). Calligraphy, colour and light in the Blue Qurʾan. Journal of Qurʾanic
Studies, 11(1), 75–125.
George, A. (2010). The Rise of Islamic Calligraphy. London: Saqi.
George, A. (2011). Le palimpseste Lewis‐Mingana de Cambridge, témoin ancien de
l’histoire du Coran. Comptes‐Rendus des Séances de l’Académie des Inscriptions et Belles
Lettres, 2011, 377–429.
George, A. (2015a). Coloured dots and the question of regional origins in early Qurʾans.
Part I, Journal of Qurʾanic Studies, 17, 1, 1–44.
George, A. (2015b). Coloured dots and the question of regional origins in early Qurʾans.
Part II, Journal of Qurʾanic Studies, 17, 2, 75–102.
Ghabban, A. (2008). The inscription of Zuhayr, the oldest Islamic inscription (24 AH/
AD 644–645), the rise of the Arabic script and the nature of the early Islamic state.
Translated from Arabic and with concluding remarks by Robert Hoyland. Arabian
Archaeology and Epigraphy, 19 (2), 1–28.
Grabar, O. (2006). The Dome of the Rock. Cambridge, MA: The Belknap Press of Harvard
University Press.
Grohmann, A. (1958). The problem of dating early Qurʾāns. Der Islam, 33, 213–231.
Hamdan, O. (2010). The second Masahif project: A step towards the canonization of
the Qurʾanic text. In A. Neuwirth, N. Sinai, and M. Marx (eds), The Qurʾān in
Context: Historical and Literary Investigations into the Qurʾānic Milieu. Leiden: Brill,
pp. 795–835.
The Qurʾan, Calligraphy, and the Early Civilization of Islam
◼ ◼ ◼ 129
Hoyland, R. (2006). New documentary texts and the early Islamic state. Bulletin of the
School of Oriental and African Studies, 69, 395–416.
Hoyland, R. (2008). Epigraphy and the linguistic background of the Qurʾān. In G.S.
Reynolds (ed.), The Qurʾān in its Historical Context. London: Routledge, pp. 51–69.
MacDonald, M. (2010). Ancient Arabia and the written word. In M. MacDonald (ed.),
The Development of Arabic as a Written Language, Proceedings of the Seminar for
Arabian Studies 40. Oxford: Archaeopress, pp. 5–28.
Nehmé, L. (2010). A glimpse of the development of the Nabataean script into Arabic
based on old and new epigraphical material. In M. MacDonald (ed.), The Development
of Arabic as a Written Language, Supplement to Proceedings of the Seminar for Arabian
Studies 40. Oxford: Archaeopress, pp. 47–88.
Robin, C. (2006). La réforme de l’écriture à l’époque du califat médinois. Mélanges de
l’Université Saint‐Joseph, 59, 319–364.
Sadan, J. (1986). Genizah and Genizah‐like practices in Islamic and Jewish traditions.
Bibliotheca Orientalis, 43, cols. 36–58.
Sadeghi, B. and Bergmann, U. (2010). The codex of a companion of the Prophet and the
Qurʾān of the Prophet. Arabica, 57(4), 343–436.
Sadeghi, B. and Goudarzi, M. (2012). Ṣanʿāʾ I and the origins of the Qurʾān. Der Islam,
87(1–2), 1–129.
Sinai, B. and Neuwirth, A. (2011). Introduction. In A. Neuwirth, N. Sinai, and M. Marx
(eds), The Qurʾān in Context: Historical and Literary Investigations into the Qurʾānic
Milieu. Leiden: Brill, pp. 1–24.
Small, K. (2011). Textual Criticism and Qurʾan Manuscripts. Lanham, MD: Lexington
Books.
Stein, P. (2010). Literacy in pre‐Islamic Arabia: An analysis of the epigraphic evidence. In
A. Neuwirth, N. Sinai, and M. Marx (eds), The Qurʾān in Context: Historical and
Literary Investigations into the Qurʾānic Milieu. Leiden: Brill, pp. 255–280.
von Bothmer, H.C. (1987). Architekturbilder im Koran. Eine Prachthandschrift der
Umayyadenzeit aus dem Yemen. Pantheon, 45, 4–20

Blair, S. (2006). Islamic Calligraphy. Edinburgh: Edinburgh University Press.

Bloom, Jonathan M. (2015). The Blue Koran revisited. Journal of Islamic Manuscripts

6, 2–3, 196–218.

 

 

 

D.roche, F. (1990–1991). The Qurʾān of Amāğūr. Manuscripts of the Middle East, 5,59–66.

 

D.roche, F. (1992). The Abbasid Tradition: Qurʾan̄̄ s of the 8th to 10th Centuries A.D. The Nasser D. Khalili Collection of Islamic Art. London: The Nour Foundation.

D.roche, F. (2002). New evidence about Umayyad book hands. In Essays in Honour of Salah̄̄ al‐Dın̄̄ al‐Munajjid. London: Al‐Furqan̄̄ Islamic Heritage Foundation, pp. 611–642.

 

 

 

 

 

 

D.roche, F. (2014). Qurʾans of the Umayyads: A First Overview. Leiden: Brill.

Dutton, Y. (1999). Red dots, green dots, yellow dots and blue: Some reflections on thevocalisation of early Qurʾanic manuscripts. Part I. Journal of Qurʾanic Studies 1,1, 115–140.

 

 

In J. Raby and J. Johns (eds), Bayt Al‐Maqdis: ʿAbd al‐Malik’s Jerusalem. Oxford: Oxford University Press, pp. 17–31.

George, A. (2003). The geometry of the Qurʾān of Amājūr: A preliminary study of proportion in early Islamic calligraphy. Muqarnas, XX, 1–15.

George, A. (2007). The geometry of early Qurʾanic manuscripts. Journal of Qurʾanic Studies, 9(1), 78–110.

George, A. (2009). Calligraphy, colour and light in the Blue Qurʾan. Journal of Qurʾanic Studies, 11(1), 75–125.

 

 

 

 

George, A. (2015a). Coloured dots and the question of regional origins in early Qurʾ

ans. Part I, Journal of Qurʾanic Studies, 17, 1, 1–44.

George, A. (2015b). Coloured dots and the question of regional origins in early Qurʾ

ans. Part II, Journal of Qurʾanic Studies, 17, 2, 75–102.

Ghabban, A. (2008). The inscription of Zuhayr, the oldest Islamic inscription (24 AH/ AD 644–645), the rise of the Arabic script and the nature of the early Islamic state. Translated from Arabic and with concluding remarks by Robert Hoyland. Arabian Archaeology and Epigraphy, 19 (2), 1–28.

Grabar, O. (2006). The Dome of the Rock. Cambridge, MA: The Belknap Press of Harvard University Press.

Grohmann, A. (1958). The problem of dating early Qurʾāns. Der Islam, 33, 213–231.

Hamdan, O. (2010). The second Masahif project: A step towards the canonization of the Qurʾanic text. In A. Neuwirth, N. Sinai, and M. Marx (eds), The Qurʾān in Context: Historical and Literary Investigations into the Qurʾānic Milieu. Leiden: Brill, pp. 795–835.

The Qurʾan, Calligraphy, and the Early Civilization of Islam 

Hoyland, R. (2006). New documentary texts and the early Islamic state. Bulletin of the School of Oriental and African Studies, 69, 395–416.

Hoyland, R. (2008). Epigraphy and the linguistic background of the Qurʾān. In G.S. Reynolds (ed.), The Qurʾān in its Historical Context. London: Routledge, pp. 51–69.

MacDonald, M. (2010). Ancient Arabia and the written word. In M. MacDonald (ed.), The Development of Arabic as a Written Language, Proceedings of the Seminar for Arabian Studies 40. Oxford: Archaeopress, pp. 5–28.

Nehm., L. (2010). A glimpse of the development of the Nabataean script into Arabic

based on old and new epigraphical material. In M. MacDonald (ed.), The Development of Arabic as a Written Language, Supplement to Proceedings of the Seminar for Arabian Studies 40. Oxford: Archaeopress, pp. 47–88.

 

 

Sadan, J. (1986). Genizah and Genizah‐like practices in Islamic and Jewish traditions. Bibliotheca Orientalis, 43, cols. 36–58.

Sadeghi, B. and Bergmann, U. (2010). The codex of a companion of the Prophet and the Qurʾān of the Prophet. Arabica, 57(4), 343–436.

Sadeghi, B. and Goudarzi, M. (2012). Ṣanʿāʾ I and the origins of the Qurʾān. Der Islam, 87(1–2), 1–129.

Sinai, B. and Neuwirth, A. (2011). Introduction. In A. Neuwirth, N. Sinai, and M. Marx(eds), The Qurʾān in Context: Historical and Literary Investigations into the Qurʾānic Milieu. Leiden: Brill, pp. 1–24.

Small, K. (2011). Textual Criticism and Qurʾan Manuscripts. Lanham, MD: Lexington Books.

 

A. Neuwirth, N. Sinai, and M. Marx (eds), The Qurʾān in Context: Historical and Literary Investigations into the Qurʾānic Milieu. Leiden: Brill, pp. 255–280.

von Bothmer, H.C. (1987). Architekturbilder im Koran. Eine Prachthandschrift der Umayyadenzeit aus dem Yemen. Pantheon, 45, 4–

known as the Nuq\aviyya, a little-known group thatwas strongly influenced by letter-mysticism.(A.dab al-mashq JOURNAL OF THE AMERICAN ORIENTAL SOCIETY )1992 ©

• Afa, Omar and Mohammad al-Maghrâwi. Al-Khaṭṭ al-Maghribī: tārīkh wa-wāqiʿ

الخط المغربي : تاريخ و واقع و wa-āfāq

-Casablanca : Manshūrāt Wizārat al-Awqāf wa-al . آفاق Shuʾūn al-Islāmīyah, 2007

• Agati, Maria Luisa. The Manuscript Book: A Compendium of Codicology. Roma “L’ERMA” di Brettschneider, 2017.

• Blair, Sheila. Islamic Calligraphy. Edinburgh: Edinburgh University Press, 2006.

• van den Boogert, N. Some Notes on Maghribi Script.Manuscripts of the Middle East (MME) 4 (1989): 30-43.

• Déroche, François. The Abbasid Tradition: Qur’ans of the 8th to the 10th centuries AD. London: Nour Foundation in association with Azmimuth and Oxford University Press, c1992.

• Déroche, François. Islamic codicology : an introduction to the study of manuscripts in Arabic script. London : Al- Furqān Islamic Heritage Foundation, 2006.

• Déroche, François. Qur’ans of the Umeyyads, A First Overview. Brill, 2014.سرّ الحروف Dhannûn, Bassim. Sirr al-ḥurūf wa-siḥr al-takwīn • 2014 ,Beirut : al-Dār al-ʿArabīyah lil-Mawsūʿāt . وسحر التكوين

• Diyâ’ el-Din, M. Moslem calligraphy : A monograph on Moslem calligraphy, with 163 illustrations of its various styles and ornamental designs. Calcutta : Visua-Bharati Bookshop, 1936.

• Fraser, Marcus and Will Kwiatkowski. Ink and Gold, Islamic Calligraphy. London: Sam Fogg, 2006.

• George, Alain. The Rise of Islamic Calligraphy. London : Saqi, 2010.

 

 

 

• James, David. The Master Scribes. Qur’ans of the 10th to 14th centuries AD. London: Nour Foundation, 1992.

• Khân, Gabriele Mandel. L’écriture arabe. Alphabet, variantes et adaptations calligraphiques. Paris: Flammarion, 2011.

• Khan, Geoffrey A. Standardisation and variation in the orthography of Hebrew Bible and Arabic Qur’an manuscripts, in MME 5 (1990-1991), pp. 53-58.

• Lings, Martin. The Quranic art of calligraphy and illumination. London : World of Islam Festival Trust, 1976.

• Lings, Martin and Yasin Safadi. The Qurʾān : Catalogue of an exhibition of Qurʾān manuscripts at the British Library. 3 April-15 August 1976. London : The World of Islam Publishing Company, 1976.

• Majeed, Tehnyat. The Phenomenon of the Square Kufic Script: The Cases of Ilkhanid Isfahan and Bahri Mamluk Cairo. Thesis, St. Hugh’s College, 2006.• Massoudi, Hassan. Calligraphie arabe vivante. Paris : Flammarion, 1981.

• McWilliams, Mary and David J. Roxburgh. Traces of the Calligrapher: Islamic Calligraphy in Practice, c. 1600-1900.

 

• al-Naqsh, Maḥmūd Māhir. Khaṭṭ-i bannāyī. Tihrān : Surūsh, 1370 [1991 or 1992].

• Roxburgh. David J. Writing the word of God : Calligraphy and the Qur’an. Houston, Texas: Museum of Fine Arts Houston, 2008.

• Safadi, Yasin Hamid. Islamic calligraphy. London : Thames and Hudson, 1978.

• Saint Laurent, Béatrice. “The Identification of a Magnificent Koran Manuscript”, Les Manuscrits du Moyen-Orient, Varia Turcica, ed. François Déroche, Bibliothèque Nationale de France and Institut Français d’Etudes Anatoliennes d’Istanbul (Istanbul, Paris, 1989), vol. VIII, pp. 115-123, p.115, note 2.

• Welch, Anthony. Calligraphy in the arts of the Muslim world. Folkestone : Dawson, 1979.

• Whelan, Estelle, ‘Writing the Word of God: Some Early  Qur’an Manuscripts and Their Milieux, Part I’, in: Ars Orientalis 20 (1990), pp. 113-147.  Arabe 325 : Bibliothèque nationale de France, Département des manuscrits.

• Arabe 350 (Di) : Bibliothèque nationale de France,

Département des manuscrits. Full manuscript (CBL MS. 1407, Wolfen. Cod. Guelf. 12.11 Aug. 2°, Bodleian MS. Marsh 178, BnF MS. Arabe 350) regrouped on BodleianmLibraries.• Arabe 6430 (NSi) : Bibliothèque nationale de France, Département des manuscrits.

• The Qurʼān of Amajur (MS Add.1116) : Cambridge University Library.

• Azzam, Khaled. Arts & crafts of the Islamic lands : principles, materials, practice. London : Thames & Hudson, 2013.

• Barry, Michael. Colour and Symbolism in Islamic Architecture. London : Thames and Hudson, 1996.

• Bourgoin, J. Arabic Geometrical Pattern and Design. Dover Publications Inc. 1974.

• Broug, Eric. Islamic Geometric Patterns. Thames and Hudson Ltd, 2008.

• Broug, Eric. Islamic Geometric Design. Thames and Hudson Ltd, 2013.

• Burckhardt, Titus. Art of Islam : language and meaning.  London : World of Islam Festival Publishing Co. Ltd, 1976.

• Burckhardt, Titus. Sacred art in East and West : its principles and methods. Louisville, Ky. : Fons Vitae, 1967.

 

 

• Critchlow, Keith. Islamic patterns : an analytical and cosmological approach. London : Thames and Hudson, 1976.

 

 

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