Bibliography for kufi

Bibliography for kufi

Blair, S. (2006). Islamic Calligraphy. Edinburgh: Edinburgh University Press.

Bloom, Jonathan M. (2015). The Blue Koran revisited. Journal of Islamic Manuscripts

6, 2–3, 196–218.

 

 

 

D.roche, F. (1990–1991). The Qurʾān of Amāğūr. Manuscripts of the Middle East, 5,59–66.

 

D.roche, F. (1992). The Abbasid Tradition: Qurʾan̄̄ s of the 8th to 10th Centuries A.D. The Nasser D. Khalili Collection of Islamic Art. London: The Nour Foundation.

D.roche, F. (2002). New evidence about Umayyad book hands. In Essays in Honour of Salah̄̄ al‐Dın̄̄ al‐Munajjid. London: Al‐Furqan̄̄ Islamic Heritage Foundation, pp. 611–642.

 

 

 

 

 

 

D.roche, F. (2014). Qurʾans of the Umayyads: A First Overview. Leiden: Brill.

Dutton, Y. (1999). Red dots, green dots, yellow dots and blue: Some reflections on thevocalisation of early Qurʾanic manuscripts. Part I. Journal of Qurʾanic Studies 1,1, 115–140.

 

 

In J. Raby and J. Johns (eds), Bayt Al‐Maqdis: ʿAbd al‐Malik’s Jerusalem. Oxford: Oxford University Press, pp. 17–31.

George, A. (2003). The geometry of the Qurʾān of Amājūr: A preliminary study of proportion in early Islamic calligraphy. Muqarnas, XX, 1–15.

George, A. (2007). The geometry of early Qurʾanic manuscripts. Journal of Qurʾanic Studies, 9(1), 78–110.

George, A. (2009). Calligraphy, colour and light in the Blue Qurʾan. Journal of Qurʾanic Studies, 11(1), 75–125.

 

 

 

 

George, A. (2015a). Coloured dots and the question of regional origins in early Qurʾ

ans. Part I, Journal of Qurʾanic Studies, 17, 1, 1–44.

George, A. (2015b). Coloured dots and the question of regional origins in early Qurʾ

ans. Part II, Journal of Qurʾanic Studies, 17, 2, 75–102.

Ghabban, A. (2008). The inscription of Zuhayr, the oldest Islamic inscription (24 AH/ AD 644–645), the rise of the Arabic script and the nature of the early Islamic state. Translated from Arabic and with concluding remarks by Robert Hoyland. Arabian Archaeology and Epigraphy, 19 (2), 1–28.

Grabar, O. (2006). The Dome of the Rock. Cambridge, MA: The Belknap Press of Harvard University Press.

Grohmann, A. (1958). The problem of dating early Qurʾāns. Der Islam, 33, 213–231.

Hamdan, O. (2010). The second Masahif project: A step towards the canonization of the Qurʾanic text. In A. Neuwirth, N. Sinai, and M. Marx (eds), The Qurʾān in Context: Historical and Literary Investigations into the Qurʾānic Milieu. Leiden: Brill, pp. 795–835.

The Qurʾan, Calligraphy, and the Early Civilization of Islam 

Hoyland, R. (2006). New documentary texts and the early Islamic state. Bulletin of the School of Oriental and African Studies, 69, 395–416.

Hoyland, R. (2008). Epigraphy and the linguistic background of the Qurʾān. In G.S. Reynolds (ed.), The Qurʾān in its Historical Context. London: Routledge, pp. 51–69.

MacDonald, M. (2010). Ancient Arabia and the written word. In M. MacDonald (ed.), The Development of Arabic as a Written Language, Proceedings of the Seminar for Arabian Studies 40. Oxford: Archaeopress, pp. 5–28.

Nehm., L. (2010). A glimpse of the development of the Nabataean script into Arabic

based on old and new epigraphical material. In M. MacDonald (ed.), The Development of Arabic as a Written Language, Supplement to Proceedings of the Seminar for Arabian Studies 40. Oxford: Archaeopress, pp. 47–88.

 

 

Sadan, J. (1986). Genizah and Genizah‐like practices in Islamic and Jewish traditions. Bibliotheca Orientalis, 43, cols. 36–58.

Sadeghi, B. and Bergmann, U. (2010). The codex of a companion of the Prophet and the Qurʾān of the Prophet. Arabica, 57(4), 343–436.

Sadeghi, B. and Goudarzi, M. (2012). Ṣanʿāʾ I and the origins of the Qurʾān. Der Islam, 87(1–2), 1–129.

Sinai, B. and Neuwirth, A. (2011). Introduction. In A. Neuwirth, N. Sinai, and M. Marx(eds), The Qurʾān in Context: Historical and Literary Investigations into the Qurʾānic Milieu. Leiden: Brill, pp. 1–24.

Small, K. (2011). Textual Criticism and Qurʾan Manuscripts. Lanham, MD: Lexington Books.

 

A. Neuwirth, N. Sinai, and M. Marx (eds), The Qurʾān in Context: Historical and Literary Investigations into the Qurʾānic Milieu. Leiden: Brill, pp. 255–280.

von Bothmer, H.C. (1987). Architekturbilder im Koran. Eine Prachthandschrift der Umayyadenzeit aus dem Yemen. Pantheon, 45, 4–

known as the Nuq\aviyya, a little-known group thatwas strongly influenced by letter-mysticism.(A.dab al-mashq JOURNAL OF THE AMERICAN ORIENTAL SOCIETY )1992 ©

• Afa, Omar and Mohammad al-Maghrâwi. Al-Khaṭṭ al-Maghribī: tārīkh wa-wāqiʿ

الخط المغربي : تاريخ و واقع و wa-āfāq

-Casablanca : Manshūrāt Wizārat al-Awqāf wa-al . آفاق Shuʾūn al-Islāmīyah, 2007

• Agati, Maria Luisa. The Manuscript Book: A Compendium of Codicology. Roma “L’ERMA” di Brettschneider, 2017.

• Blair, Sheila. Islamic Calligraphy. Edinburgh: Edinburgh University Press, 2006.

• van den Boogert, N. Some Notes on Maghribi Script.Manuscripts of the Middle East (MME) 4 (1989): 30-43.

• Déroche, François. The Abbasid Tradition: Qur’ans of the 8th to the 10th centuries AD. London: Nour Foundation in association with Azmimuth and Oxford University Press, c1992.

• Déroche, François. Islamic codicology : an introduction to the study of manuscripts in Arabic script. London : Al- Furqān Islamic Heritage Foundation, 2006.

• Déroche, François. Qur’ans of the Umeyyads, A First Overview. Brill, 2014.سرّ الحروف Dhannûn, Bassim. Sirr al-ḥurūf wa-siḥr al-takwīn • 2014 ,Beirut : al-Dār al-ʿArabīyah lil-Mawsūʿāt . وسحر التكوين

• Diyâ’ el-Din, M. Moslem calligraphy : A monograph on Moslem calligraphy, with 163 illustrations of its various styles and ornamental designs. Calcutta : Visua-Bharati Bookshop, 1936.

• Fraser, Marcus and Will Kwiatkowski. Ink and Gold, Islamic Calligraphy. London: Sam Fogg, 2006.

• George, Alain. The Rise of Islamic Calligraphy. London : Saqi, 2010.

 

 

 

• James, David. The Master Scribes. Qur’ans of the 10th to 14th centuries AD. London: Nour Foundation, 1992.

• Khân, Gabriele Mandel. L’écriture arabe. Alphabet, variantes et adaptations calligraphiques. Paris: Flammarion, 2011.

• Khan, Geoffrey A. Standardisation and variation in the orthography of Hebrew Bible and Arabic Qur’an manuscripts, in MME 5 (1990-1991), pp. 53-58.

• Lings, Martin. The Quranic art of calligraphy and illumination. London : World of Islam Festival Trust, 1976.

• Lings, Martin and Yasin Safadi. The Qurʾān : Catalogue of an exhibition of Qurʾān manuscripts at the British Library. 3 April-15 August 1976. London : The World of Islam Publishing Company, 1976.

• Majeed, Tehnyat. The Phenomenon of the Square Kufic Script: The Cases of Ilkhanid Isfahan and Bahri Mamluk Cairo. Thesis, St. Hugh’s College, 2006.• Massoudi, Hassan. Calligraphie arabe vivante. Paris : Flammarion, 1981.

• McWilliams, Mary and David J. Roxburgh. Traces of the Calligrapher: Islamic Calligraphy in Practice, c. 1600-1900.

 

• al-Naqsh, Maḥmūd Māhir. Khaṭṭ-i bannāyī. Tihrān : Surūsh, 1370 [1991 or 1992].

• Roxburgh. David J. Writing the word of God : Calligraphy and the Qur’an. Houston, Texas: Museum of Fine Arts Houston, 2008.

• Safadi, Yasin Hamid. Islamic calligraphy. London : Thames and Hudson, 1978.

• Saint Laurent, Béatrice. “The Identification of a Magnificent Koran Manuscript”, Les Manuscrits du Moyen-Orient, Varia Turcica, ed. François Déroche, Bibliothèque Nationale de France and Institut Français d’Etudes Anatoliennes d’Istanbul (Istanbul, Paris, 1989), vol. VIII, pp. 115-123, p.115, note 2.

• Welch, Anthony. Calligraphy in the arts of the Muslim world. Folkestone : Dawson, 1979.

• Whelan, Estelle, ‘Writing the Word of God: Some Early  Qur’an Manuscripts and Their Milieux, Part I’, in: Ars Orientalis 20 (1990), pp. 113-147.  Arabe 325 : Bibliothèque nationale de France, Département des manuscrits.

• Arabe 350 (Di) : Bibliothèque nationale de France,

Département des manuscrits. Full manuscript (CBL MS. 1407, Wolfen. Cod. Guelf. 12.11 Aug. 2°, Bodleian MS. Marsh 178, BnF MS. Arabe 350) regrouped on BodleianmLibraries.• Arabe 6430 (NSi) : Bibliothèque nationale de France, Département des manuscrits.

• The Qurʼān of Amajur (MS Add.1116) : Cambridge University Library.

• Azzam, Khaled. Arts & crafts of the Islamic lands : principles, materials, practice. London : Thames & Hudson, 2013.

• Barry, Michael. Colour and Symbolism in Islamic Architecture. London : Thames and Hudson, 1996.

• Bourgoin, J. Arabic Geometrical Pattern and Design. Dover Publications Inc. 1974.

• Broug, Eric. Islamic Geometric Patterns. Thames and Hudson Ltd, 2008.

• Broug, Eric. Islamic Geometric Design. Thames and Hudson Ltd, 2013.

• Burckhardt, Titus. Art of Islam : language and meaning.  London : World of Islam Festival Publishing Co. Ltd, 1976.

• Burckhardt, Titus. Sacred art in East and West : its principles and methods. Louisville, Ky. : Fons Vitae, 1967.

 

 

• Critchlow, Keith. Islamic patterns : an analytical and cosmological approach. London : Thames and Hudson, 1976.

 

 

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