With my teacher Mrs. Metzger who volunteered to make “conversation practice ” with me once a week at the International Center of Princeton University. Here, at her homeside… Mrs Metzger’s father and another conversation student from China, Mr. Lu. At the “Thanksgiving Day” of 1980, Princeton, New Jersey, USA
Contents 1.The Pen, the Preserved Tablet, and Divine Instruction 2.Kufic Calligraphy as the Embodiment of the Sacred Word 3. Preserved Tablet (Lawh Mahfuz), Qur’an, Origins of Language, and Semantic Debates 4. Semantic Debates about naming 5. Theological and Cosmological Significance of Kufic Script, Letters as Theophanies in Islamic 6. Scripture as Witness: Interpreting Kufi Through a Multidisciplinary Lens 7. On
Masterpieces from the Department of Islamic Art in The Metropolitan Museum of Art – The Metropolitan Museum of Artmain-image (1027×1200) antalya muzesinde şirdal
About the Art of Calligraphy Tohum Dergisi, Istanbul, 1969 The Origin and Character of Writing The art of calligraphy is an abstract art form where the deepest expression of the Arabic alphabet is blended with Turkish genius. As the late master İ.H. Danişmend stated in his Islamic History Chronology, the Arabic alphabet originates from the Phoenician script. The Latin alphabet,
istanbul belediyesinin neşrettiği fuzuli sempozyumu kitabından: şeyda divanından; 6
https://eksisozluk.com/biri/avareseyyah Muvaşşah muvaşşah youtube MODERN ZAMANLARDA BİR DİVAN ŞAİRİ: ŞAHİN UÇAR VE ŞEYDÂ DÎVÂNI Prof. Dr. Şahin Uçar’ın son şiirleri TRT1’de Şair-Yazar Şahin Uçar Proğramı kasîde der tevhîd-i hazret-i bâri … Aysun Gür, Şahin Uçar Şiirinde Hakikat Arayışı binkitap.com